When you get on stage, you can be anything. You are removed from reality in a way, the real world.

I liked Latin, I like languages, I liked all the myths, and the Roman tales that we were required to translate in Latin, and all these interesting people who were never quite what they thought they would be or seemed to be.

There is pain and sacrifice in everyone's world. That's why, when I was dancing, I had no pain.

So dancing was not something I had a great desire to do.

When you are on stage, you don't see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.

I used to love to play dress-up, where you get your mother's or your grandmother's dresses and high heels.

I could work out a lot of my emotions by going to class and dancing.

I didn't have any doubts about my choice of career, but I had constant doubts about my ability, yes.

I had two sisters, and we would love to get dressed up and pretend that we were chic, sophisticated ladies. And I think that was a great sort of preparation, in a way.

Of course, in the art class, I was the model.

And I just thought, this is what I want to be. And I knew that dancing would be my chosen profession.

I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer.

As soon as I hear music, something in me starts to vibrate.

But what was my motivation was music, and the fact that I love to move around. I'm always moving around.

You don't learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don't really learn from that. You learn from trial and error, trial and error, all the time.

I was very much of a tomboy.

On the other hand, I think it is wonderful for everyone to take ballet classes, at any age. It gives you a discipline, it gives you a place to go. It gives you some control in your life.

Once I started dancing, I was not the spoiled brat or the rebellious child that I was as a child.

It's ungrateful to be wishing you were doing something else at the moment you are living. You haven't lived in the moment that you are really living, you are wishing you were somewhere else.

I didn't care too much for ballet, because you had to be more disciplined, and you sort of looked like everyone else. It required a certain kind of conformity that I didn't feel like I wanted to do.

I liked to read but, being a dancer, I didn't have a lot of time to read.

The particular ballet was not so important as the fact that I was physically healthy, and capable of getting out there and dancing as often as possible.

That the work involved, the willingness to take chances, the commitment, the opportunity to get on stage and make people happy, was more important than becoming famous, or even what I was dancing.

The body can do amazing things in a situation when it is really called for.

Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.

In fact, ballet companies did not exist in the Midwest when I was a child.

I learned to love dance for its own sake.

I loved tests because it was another form of competing, a healthy competition.

I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.

When you get on stage, you can be anything. You are removed from reality in a way, the real world.

I liked tap, because I liked hearing the results of my movements.

I'm thought of as a cool, unemotional dancer, but inside I'm not.

I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Without art, the crudeness of reality would make the world unbearable.

We must admit with humility that, while number is purely a product of our minds, space has a reality outside our minds, so that we cannot completely prescribe its properties a priori.

Sometimes you get caught up in what's going on around you. The reality is that you are just a regular person. At some point, the career will be over, the bright lights turn off. That can come back to haunt you if you're not just a regular guy.

It's about the power of design and the power of the human spirit. It's above paying anybody to do something stupid for money like reality television does - like ambushing people.

I mean, the reality is unemployment today - over 14 million Americans are unemployed. That's exactly what it was a year ago. I mean, this - the American people know we can't borrow and spend and bail our way back to a growing economy.

There is only one admirable form of the imagination: the imagination that is so intense that it creates a new reality, that it makes things happen.

And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.

In reality, the most important things happen when you don't look for them.

What I would have liked to do on that show was play a secretary of state who has huge personal business interests throughout the world. That, to me, seems to be more in synch with reality.

From a reality perspective, I'm sure part of that is true, but this is the largest blackout in U.S. history. If that is not a signal that we have got a problem that needs to be fixed, I don't know what is.

It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.

I found a religion that blended scientific reason with spiritual reality in a unifying faith far removed from the headlines of violence, destruction and terrorism.

Reality is that which, when you stop believing in it, doesn't go away.

In reality, for me every role is completely different.

Some theists in evolutionary science acquiesce to these tacit rules and retain a personal faith while accepting a thoroughly naturalistic picture of physical reality.