I liked to read but, being a dancer, I didn't have a lot of time to read.

I liked Latin, I like languages, I liked all the myths, and the Roman tales that we were required to translate in Latin, and all these interesting people who were never quite what they thought they would be or seemed to be.

There is pain and sacrifice in everyone's world. That's why, when I was dancing, I had no pain.

So dancing was not something I had a great desire to do.

When you are on stage, you don't see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.

I used to love to play dress-up, where you get your mother's or your grandmother's dresses and high heels.

I could work out a lot of my emotions by going to class and dancing.

I didn't have any doubts about my choice of career, but I had constant doubts about my ability, yes.

I had two sisters, and we would love to get dressed up and pretend that we were chic, sophisticated ladies. And I think that was a great sort of preparation, in a way.

Of course, in the art class, I was the model.

And I just thought, this is what I want to be. And I knew that dancing would be my chosen profession.

I had a wonderful childhood, coming from Cincinnati, and I think that it was great going into the life that I was going to have, where you have to start young as a dancer.

As soon as I hear music, something in me starts to vibrate.

But what was my motivation was music, and the fact that I love to move around. I'm always moving around.

You don't learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don't really learn from that. You learn from trial and error, trial and error, all the time.

I was very much of a tomboy.

On the other hand, I think it is wonderful for everyone to take ballet classes, at any age. It gives you a discipline, it gives you a place to go. It gives you some control in your life.

Once I started dancing, I was not the spoiled brat or the rebellious child that I was as a child.

It's ungrateful to be wishing you were doing something else at the moment you are living. You haven't lived in the moment that you are really living, you are wishing you were somewhere else.

I didn't care too much for ballet, because you had to be more disciplined, and you sort of looked like everyone else. It required a certain kind of conformity that I didn't feel like I wanted to do.

I liked to read but, being a dancer, I didn't have a lot of time to read.

The particular ballet was not so important as the fact that I was physically healthy, and capable of getting out there and dancing as often as possible.

That the work involved, the willingness to take chances, the commitment, the opportunity to get on stage and make people happy, was more important than becoming famous, or even what I was dancing.

The body can do amazing things in a situation when it is really called for.

Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.

In fact, ballet companies did not exist in the Midwest when I was a child.

I learned to love dance for its own sake.

I loved tests because it was another form of competing, a healthy competition.

I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.

When you get on stage, you can be anything. You are removed from reality in a way, the real world.

I liked tap, because I liked hearing the results of my movements.

I'm thought of as a cool, unemotional dancer, but inside I'm not.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

I'm glad I'm not Brezhnev. Being the Russian leader in the Kremlin. You never know if someone's tape recording what you say.

Being a musician is what I do, but it's not what I am.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

We've had it very clear to the Bosnians that our obligation to equip and train their forces is completely conditional on the foreign forces being gone.

My parents were amazing people who had no business being together - and they knew it.

Teachers started recognizing me and praising me for being smart in science and that made me want to be even smarter in science!

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.