The multiplicity of ideas is what I'm interested in.

The multiplicity of ideas is what I'm interested in.

So I am totally aware that when I defend the autonomy of art I'm going counter to my own development. It's more an instinctive reaction, meant to protect the private aspect of the work, the part I am most interested in and which nowadays is at risk in our culture.

So at a time in which the media give the public everything it wants and desires, maybe art should adopt a much more aggressive attitude towards the public. I myself am very much inclined to take this position.

It's too simplistic to advance the notion of the autonomy of art as a reason for turning away from the public. You can have autonomy and simultaneously have connections with the social and political world.

The huge problem in our society is the enormous ignorance of the ideas that underlie modern art.

We only exist in terms of how we think we exist. Meaning every cultural development is fabricated and can be fabricated.

Scientific reality is the modern human condition, and you can see that in the symbolic nature of my work.

You might say that when you step inside, you're entering a honorific space, but that's something totally different than experiencing it. And in architecture the experience comes first. That has the deepest effect on us.

I'm often called an old-fashioned modernist. But the modernists had the absurd idea that architecture could heal the world. That's impossible. And today nobody expects architects to have these grand visions any more.

So we can't go backwards, we can only go where the evolutionary trajectory is taking us and attune our ideas about ourselves and our existence to that course.

Architecture is involved with the world, but at the same time it has a certain autonomy. This autonomy cannot be explained in terms of traditional logic because the most interesting parts of the work are non-verbal. They operate within the terms of the work, like any art.

The aesthetic of architecture has to be rooted in a broader idea about human activities like walking, relaxing and communicating. Architecture thinks about how these activities can be given added value.

My buildings don't speak in words but by means of their own spaciousness.

But I absolutely believe that architecture is a social activity that has to do with some sort of communication or places of interaction, and that to change the environment is to change behaviour.

For me the meaning of my work is much more fluid.

Descriptions of my work depress me. They make me feel pinned down.

Our idea of nature is increasingly being determined by scientific developments. And they have become decisive for our image of reality.

Large-scale public projects require the agreement of large numbers of people.

I've been such an outsider my whole life.

I've learned that in order to achieve what I wanted, it made more sense to negotiate than to defend the autonomy of my work by pounding my fist on the table.

Architecture is the beginning of something because it's - if you're not involved in first principles, if you're not involved in the absolute, the beginning of that generative process, it's cake decoration.

Architecture is the story of how we see ourselves. It is the architect's job to service everyday life.

Find a place that you are comfortable with. Don't be afraid to make mistakes. Make a lot of mistakes.

I lived in a state of rage from 12 to 20. Until college, I was beyond an outsider. I was a voyeur of life.

I think all good architecture should challenge you, make you start asking questions. You don't have to understand it. You may not like it. That's OK.

I think my clients would tell you I'm a problem solver. I'm not there to agree with people. I'm there to articulate a point of view. Am I insistent and tenacious? Absolutely. I could not get this work done if I was not.

I've always been interested in an architecture of resistance - architecture that has some power over the way we live. Working under adversarial conditions could be seen as a plus because you're offering alternatives. Still, there are situations that make you ask the questions: 'Do I want to be a part of this?'

I've grown up a little bit. I understand the importance of the negotiation. It is a collective act.

Look around at day-to-day life for ideas, and it finds its way into your work.

There is no modern prototype for a campus. You have to have a completely different model which has to do with transparency and exposing social connectivity and breaking down the Balkanization that happens departmentally.

The multiplicity of ideas is what I'm interested in.

Ideas are easy. It's the execution of ideas that really separates the sheep from the goats.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

Many ideas grow better when transplanted into another mind than in the one where they sprung up.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

Simple ideas lie within the reach only of complex minds.

While a lab Director can get done the things that he regards as important, he has the more important job of bringing out the best ideas of the broader scientific community.

I think a good MP is someone who cares for their community and becomes their champion, which is why I will make my home in any seat I am lucky enough to be selected for. Looks play no part in the equation, what matters is your ideas and connecting them to the electorate.

The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.

I do not 'get' ideas; ideas get me.

The new generation of Labour is different. Different attitudes, different ideas, different ways of doing politics.

Another principle is, the deepest affections of our hearts gather around some human form in which are incarnated the living thoughts and ideas of the passing age.

Facts, according to my ideas, are merely the elements of truths, and not the truths themselves; of all matters there are none so utterly useless by themselves as your mere matters of fact.

But in a broader sense, when I have more control, I want to expose people to new ideas.

We finally found out the technique of separating and getting information about where every train would be at any moment. Of course, I went over budget many times, because - as you go along - some things improved, and you get better ideas.

It is important to nurture any new ideas and initiatives which can make a difference for Africa.

Ideas pull the trigger, but instinct loads the gun.