But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

This current round of gigs, I'm just doing it using pure electronics.

There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.

My history is really playing live - not writing or recording.

I think the best way is to forget about racing people and just find territory that's fresh.

Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.

It's important for that to exist in a society that doesn't present you with any genuine problems.

I was starting to feel really suffocated, using the sequencer.

I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.

I'm into music for all different sorts of purposes.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I don't know that the best way to approach it is to try and keep up. When you're doing that, you're setting yourself into a one-dimensional sort of race basically.

Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.

I don't know how many records I'm selling.

Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing.

I've never really been that much of a fan of Ninja Tune.

I'm always pleased with my work. Absolutely.

I'm not that interested in what people make of it, or how people consider me. That's nothing to do with me.

Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.

I love traveling. I love just going about on my own, feeling I have no roots.

Because, when I'm making music, I don't think about anything, you know? All I think about is what I want to hear. So that for me is what I want - I want my head to be constantly being rearranged.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

I have a rough idea when I walk into a studio though.

But I don't really listen to much be-bop at all at the moment.

I make music to generate atmospheres, not to complement already existing ones.

I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I'm basically a musician.

The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.

Because there's so much stuff I don't release.

I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.

The older ideas are rendering more and more bland music.

Guys act strange around me. I swear I don't know why!

My son is pre-K and my daughter is in elementary school. So they don't watch the show. But my son knows that I'm on it - he says that 'Breaking Bad' is his favorite show even though he's never seen it. It's really great that he says that, because it makes me look like mother of the year.

I don't know if it's a actor thing or just growing as an adult, but the best thing I've learned is that everyone wants to do a great job, and everyone wants you to do a great job, too!

If I'm tapping anything, it's the frustration of people who have something to say at work or home or in some social setting and just can't do it. I do it for them. I don't take prisoners.

Neighbors are competitors instead of partners, suspicious instead of trustful, indifferent instead of helpful, cold instead of loving, greedy instead of generous. We no longer consider ourselves living in neighborhoods, but only as living next to 'hoods.'

Banks need to have large shareholders on the board that have a direct interest in their performance.

As far as the press is concerned, they're going to say what they want to say. Probably about 10-15 percent of the time It's accurate.

Money is the most important thing because there might be a time when you have no label behind you and you have to carry yourself. Money is the only thing that can shield you.

I just want to get on and tell stories.

Basically when I hear the words family drama I run in the opposite direction.

If we did not have rational souls, we would not be able to believe.

Your life changes. Everything has to be done perfectly, and I didn't follow that. I lived my life as if I wasn't in the public eye. I thought, 'I'm young. I have the right to experience new things, and if I want to go to a bar and get drunk, that's my prerogative.'

I think that people who are famous tend to be underdeveloped in their humanity skills.

Transparency is the antidote to hypocrisy.

When people feel a certain religion claims to have all the answers, that's what turns them off.

I never feel more alive than when I'm on stage. On film you feel chopped up, you can be acting from the neck up, or the hand, there is a lot of close up.