I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

This current round of gigs, I'm just doing it using pure electronics.

There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.

My history is really playing live - not writing or recording.

I think the best way is to forget about racing people and just find territory that's fresh.

Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.

It's important for that to exist in a society that doesn't present you with any genuine problems.

I was starting to feel really suffocated, using the sequencer.

I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.

I'm into music for all different sorts of purposes.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I don't know that the best way to approach it is to try and keep up. When you're doing that, you're setting yourself into a one-dimensional sort of race basically.

Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.

I don't know how many records I'm selling.

Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing.

I've never really been that much of a fan of Ninja Tune.

I'm always pleased with my work. Absolutely.

I'm not that interested in what people make of it, or how people consider me. That's nothing to do with me.

Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.

I love traveling. I love just going about on my own, feeling I have no roots.

Because, when I'm making music, I don't think about anything, you know? All I think about is what I want to hear. So that for me is what I want - I want my head to be constantly being rearranged.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

I have a rough idea when I walk into a studio though.

But I don't really listen to much be-bop at all at the moment.

I make music to generate atmospheres, not to complement already existing ones.

I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I'm basically a musician.

The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.

Because there's so much stuff I don't release.

I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.

The older ideas are rendering more and more bland music.

The most important thing is to be healthy, to drink a lot of water, to fight gravity as much as possible. I am one of the few people who decided I wasn't going to do any invasion with my face.

I've always known from the time I was eight years old what I wanted to do. I would have been fairly content to be someone's lead guitar player.

I'm proud of 'The Hidden.' I feel like we took a B-movie and kind of turned it into an A-minus action movie. We kind of elevated the material a little bit. It's got a great car-chase scene at the very beginning. It has some terrific moments in it, some funny stuff. It's a great rental.

There are so many people in the world with so many different perspectives. But ultimately, at the heart of it, they're people.

Today, the theory of evolution is an accepted fact for everyone but a fundamentalist minority, whose objections are based not on reasoning but on doctrinaire adherence to religious principles.

I feel like I'm way too young to wear such heavy makeup all the time. It's just bad for your skin, but I'm always doing photo shoots or red carpets and events, so I obviously want to look good.

I still find the idea of a research-heavy or historical novel daunting. That's something I've had in mind for a while: like, would you research for a year and then start writing? I sit down, and I just don't know how to write it.

People can talk about my age for as long as they like. There is nothing better in football than proving people wrong, and I'll try to do that for as long as I can.

I spoke bluntly about what I had seen in a little over a year as United States Attorney for the Southern District of New York. To the apparent surprise of many in the room, I observed publicly that insider trading appeared to be rampant.

The more angels we have in Silicon Valley, the better. We are funding innovation. We are funding the next Facebook, Google, and Twitter.

Paranoia is the delusion that your enemies are organized.

Downsizing itself is an inevitable part of any creatively destructive economy.

But as a writer and performer, I want to get paid for what I do.

You can't be a full participant in our democracy if you don't know our history.

Great woman belong to history and to self sacrifice.

This is funny because I just had a job over the summer for VH1, a project I did called Strange Frequency where I got to play a Goth rock band singer.