This current round of gigs, I'm just doing it using pure electronics.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

This current round of gigs, I'm just doing it using pure electronics.

There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.

My history is really playing live - not writing or recording.

I think the best way is to forget about racing people and just find territory that's fresh.

Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.

It's important for that to exist in a society that doesn't present you with any genuine problems.

I was starting to feel really suffocated, using the sequencer.

I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.

I'm into music for all different sorts of purposes.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I don't know that the best way to approach it is to try and keep up. When you're doing that, you're setting yourself into a one-dimensional sort of race basically.

Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.

I don't know how many records I'm selling.

Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing.

I've never really been that much of a fan of Ninja Tune.

I'm always pleased with my work. Absolutely.

I'm not that interested in what people make of it, or how people consider me. That's nothing to do with me.

Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.

I love traveling. I love just going about on my own, feeling I have no roots.

Because, when I'm making music, I don't think about anything, you know? All I think about is what I want to hear. So that for me is what I want - I want my head to be constantly being rearranged.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

I have a rough idea when I walk into a studio though.

But I don't really listen to much be-bop at all at the moment.

I make music to generate atmospheres, not to complement already existing ones.

I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I'm basically a musician.

The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.

Because there's so much stuff I don't release.

I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.

The older ideas are rendering more and more bland music.

If the United Nations is a country unto itself, then the commodity it exports most is words.

At midlife, I think a woman has more in common with her teenage children than anybody else. We all are kind of uncertain. We realize for the first time in either our lives or decades that we're in charge now.

Just do what you like to do, and do it all the time.

Everything I do is blown out of proportion. It really hurts my feelings.

I ride to fly.To feel. To touch. To breath.To laugh. To soar. To overcome. To relax. To belong. To feel strong. To heal. To love and be loved back. To communicate without words. I ride to live.

There's only one day at a time here, then it's tonight and then tomorrow will be today again.

Christmas is the season of joy of holiday greetings exchanged of gift givingand of families united.

Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.

Our government leaders... have made many mistakes in the past when they have lost sight of the sacred American values rooted in the Declaration of Independence and the Constitution. We are at the brink of even graver mistakes and assaults on these values.

In community, we discover who we really are and how much transformation we still require. This is why I am irrevocably committed to small groups. Through them, we can accomplish our God-entrusted work to transform human beings.

If we dont change we dont grow. If we dont grow we arent really living.

I sit every once in a while and I think about plays and films I can do with William Petersen into our eighties. He's the most incredible scene partner I've ever had.

I just knew at an early time in my life how important privacy was.

Hardly nobody gets to live two genders in their life.

As human beings, we're very materialistic and have all this stuff furs and cars and diamonds and money.

If you're not acting, you're not an actor.