There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

This current round of gigs, I'm just doing it using pure electronics.

There's a couple of tracks on the new record which is sort of using similar sort of rhythms as the drum and bass tracks but playing it all live. It's a new approach to it.

My history is really playing live - not writing or recording.

I think the best way is to forget about racing people and just find territory that's fresh.

Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.

It's important for that to exist in a society that doesn't present you with any genuine problems.

I was starting to feel really suffocated, using the sequencer.

I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.

I'm into music for all different sorts of purposes.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I don't know that the best way to approach it is to try and keep up. When you're doing that, you're setting yourself into a one-dimensional sort of race basically.

Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.

I don't know how many records I'm selling.

Just the type of music that was around at the same time as I was writing. Some of it was wicked, definitely. But there was just one direction which I thought could be pushed that no one was pushing.

I've never really been that much of a fan of Ninja Tune.

I'm always pleased with my work. Absolutely.

I'm not that interested in what people make of it, or how people consider me. That's nothing to do with me.

Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.

I love traveling. I love just going about on my own, feeling I have no roots.

Because, when I'm making music, I don't think about anything, you know? All I think about is what I want to hear. So that for me is what I want - I want my head to be constantly being rearranged.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

I have a rough idea when I walk into a studio though.

But I don't really listen to much be-bop at all at the moment.

I make music to generate atmospheres, not to complement already existing ones.

I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I'm basically a musician.

The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.

Because there's so much stuff I don't release.

I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.

The older ideas are rendering more and more bland music.

After the door of a womans heart has once swung on its silent hinges a man thinks he can prop it open with a brick and go away and leave it.

Immigrant: An unenlightened person who thinks one country better than another.

I love all people. I hate no one. And, you know, when you take a subject and you reduce it to something like a four-second sound bite, and a check mark on a ballot, I think that that's inappropriate and insensitive.

I rock up to training, and Folkesy, Steve Folkes - someone that, to be honest, has never paid any interest in my personal life - he comes up to me and starts saying, 'You're not turning Muslim are you?'

Music is so crucial to every film, I think.

I like some things other people don't like, and they like stuff I don't like.

You have always given me more than I gave to you. You were the wings on which I soared.

July 13, 1954 was the most tragic day of my life. I had lost my beloved Frida forever. To late now I realized that the most wonderful part of my life had been my love for Frida.

The LeBron 11, for $200, has hyperposite construction - a combination of Foamposite material and performance synthetics - and a new layer of Lunarlon cushioning; and anyway, Nike generates about $300 million off the sneakers.

I don't think music is the first thing I turn to. For me, I think visual art is more the thing. Sometimes when I've been doing music for a while, I can't really take any more in.

The terrorist threat is so cloudy, faceless, and vague, so manipulable by political purposes, so definitely present but indefinitely manifested, that it sometimes feels interchangeable with everyday dread itself.

Intervention only works when the people concerned seem to be keen for peace.

Life is a glass of wine and having your feet washed - it's a biblical event, might I add. This is part of mankind's story. You are always looking for a moment to take a break.

My worst job was working in the laundry of a nursing home.

Life is that perfect fine line between ironies.

The conspiracy theory of society comes from abandoning god and then asking Who is in his place.