Leaders must encourage their organizations to dance to forms of music yet to be heard.

Leadership is the capacity to translate vision into reality.

The manager has a short-range view; the leader has a long-range perspective.

Taking charge of your own learning is a part of taking charge of your life, which is the sine qua non in becoming an integrated person.

Good leaders make people feel that they're at the very heart of things, not at the periphery.

Leaders must encourage their organizations to dance to forms of music yet to be heard.

Trust is the lubrication that makes it possible for organizations to work.

The factory of the future will have only two employees, a man and a dog. The man will be there to feed the dog. The dog will be there to keep the man from touching the equipment.

People who cannot invent and reinvent themselves must be content with borrowed postures, secondhand ideas, fitting in instead of standing out.

The manager asks how and when; the leader asks what and why.

Leaders are people who do the right thing; managers are people who do things right.

Excellence is a better teacher than mediocrity. The lessons of the ordinary are everywhere. Truly profound and original insights are to be found only in studying the exemplary.

The most dangerous leadership myth is that leaders are born-that there is a genetic factor to leadership. This myth asserts that people simply either have certain charismatic qualities or not. That's nonsense; in fact, the opposite is true. Leaders are made rather than born.

Becoming a leader is synonymous with becoming yourself. It is precisely that simple, and it is also that difficult.

The manager accepts the status quo; the leader challenges it.

You need people who can walk their companies into the future rather than back them into the future.

There are two ways of being creative. One can sing and dance. Or one can create an environment in which singers and dancers flourish.

There is a profound difference between information and meaning.

Great things are accomplished by talented people who believe they will accomplish them.

Leaders keep their eyes on the horizon, not just on the bottom line.

Failing organizations are usually over-managed and under-led.

The manager has his eye on the bottom line; the leader has his eye on the horizon.

Listening to the inner voice - trusting the inner voice - is one of the most important lessons of leadership.

The Lord doesn't like us to be dead. Be alive. Sometimes I dance to the glory of the Lord, because He said so.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I cannot sing, dance or act; what else would I be but a talk show host.

No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.

When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

I would love to do more music, definitely. That is my true passion. Dance is first and then music.

They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

It's always been my dream to do a dance scene with Anthony Hopkins.

Sex in a dance is in the eyes of the beholder. I never thought my dances sexy. I suppose that's because I see myself with my face washed, and to me I look like a rabbit.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

We were at our best when we were playing in the dance halls of Liverpool and Hamburg. The world never saw that.

We want to be the band to dance to when the bomb drops.

Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.

People come to see beauty, and I dance to give it to them.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

I wasn't out drinking and abusing my body. I simply loved to go out and dance.

And dance is wonderful because dance is so immediate.

Disco is just pop music you can dance to.

For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

I'm a song and dance girl. I can act enough to get by. But that's the limit of my talents.

I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance.