Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.

Grissom is pretty asexual. He's not that interested in anything other than work - except for Lady Heather. She's the closest to getting his heart of anyone.

The beard is here because I got tired of shaving and Grissom, subsequently, got tired of shaving. Grissom, like any other 50-year-old man, is going through a series of mid-life changes. Who knows, he may start drinking.

I had panic attacks during rehearsal. There were times when I really thought I wasn't going to be able to do it.

I think you can find yourself on one of these shows for a long period of time and think that all you'll ever be able to do is that character. Certainly people think of you that way.

I won't miss Grissom. It was a complete life for me that's reached its end, and it's reached it in the right way, I think. So I won't miss Grissom. And I hope that the audience won't miss him either.

I want to live and work in Chicago for the rest of my life. You know when you were growing up and you wanted to become president? What I want now is to be mayor of this damned town in ten years.

I've never been in this business for the recognition or the awards. I just want to do good work, grab a decent paycheck, and move onto the next job.

The show can go on without me, and probably will, but I want to come back to act in Chicago. My wife and I just bought a condo downtown, and I want to do theater.

I've been telling anybody who would listen that I wanted to do a series for the last 10 years. But I wouldn't do it if I was just another cop pushing bad guys up against the wall.

Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.

Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

Sure, I always chose rebels to identify with - I still do - but to me a rebel isn't so much someone who breaks the law as someone who goes against the odds.

I was horrible at science and math. I couldn't pass a test to save my life! I'm surprised that it didn't take me until I was 20 to graduate. That's why my role is so cool - Grissom is the complete opposite of me.

Grissom comes from a place where we know he had a deaf mother, he was raised in a silent household, on some level, had a father who potentially was not around and he learned what he knew by himself in the back yard, with bugs and animals. He's not comfortable being a supervisor and that's his problem.

Basically, we are a whole world of people desperately trying to figure out what is the dark side of our natures and how much can we explore without becoming something else.

If I stayed a football player, my career would have been over 20 years ago. As it is, my knees are shot. I found I got the same good feeling in acting that I had in sports, but I found I could have a more profound impact on people.

When we get involved in the ratings, then we're doing the network's job. We need to focus on our work.

Grissom is a character who doesn't really want people poking around in his life. He likes to poke around in his work.

If I could change on thing about myself, I would: Have better knees. Mine are shot because of injuries. You're only as good as your legs, whether you're an athlete or an actor.

Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.

We knew all along we were making a good show, so its success was not a surprise to me. What has surprised me is the magnitude of this show's success. More people see me now in one episode than saw me in 20 years of movies and theater!

One of the things I love about theater, one of the reasons I'll never give it up, is that it's fifty percent the audience's responsibility.

I didn't want to play a lawyer. I didn't want to play a doctor. I didn't want to play a single dad. I wanted to do something I felt I could learn from, something that would be a challenge and something that would not dry up.

Corporate partners help UNICEF fund our programmes for children, advocate with us on their behalf, or facilitate our work through logistical, technical, research or supply support.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.

The cultivation of sensibility on purely personal lines may, in fact, be the very worst training for a world where only the corporate and the cooperative will matter.

I think most corporate executives are good honorable honest men and women who do good work.

My expertise was in public finance, particularly corporate taxation, since I had worked at the US Treasury.

Pulling the plug on the BlackBerry could cost corporate America millions of dollars. The BlackBerry is more than e-mail but a handheld office, and if you shut down the BlackBerry, you shut off the data that powers American business.

First, his job approval ratings have been trending down for many months, a trend that has accelerated in recent weeks as the war on terrorism has been supplanted in the public's mind by corporate scandals, stock market declines, and a growing sense of economic insecurity.

The number of great museums and nonprofits versus the number of corporate headquarters is incredibly out of whack.

This is a struggle for the soul of the Democratic Party, which in too many cases has become so corporate and identified with corporate interests that you can't tell the difference between Democrats and Republicans.

Yes, we have the freedom to do what we please, but it only works because we don't do everything we might please - we should exercise some degree of personal, and corporate, responsibility.

Pixar is going in the direction of the early Disney. And it's also corporate, where they have four or five projects in the works. I don't want to get into that subject.

We have in this country a federal government that increasingly is engaged in trying to determine which business, which regions, which industries will succeed, which will not through a whole range of economic development, regional development corporate subsidization programs.

Welfare distorts behavior, makes one less personally responsible and reduces the role of private charity. This principle applies to corporate welfare.

When we give a subsidy, the benefits to the public ought to exceed the benefits to the company. When it doesn't, that's our definition of corporate welfare.

The corporate outings were fun, but after doing them for 25 years, they got to be a little old hat.

Even now it is no longer composed of the traditional political class, but of a composite layer of corporate leaders, high-level administrators, and the heads of the major professional, labor, political, and religious organisations.

The most meaningful engine of change, powerful enough to confront corporate power, may be not so much environmental quality, as the economic development and growth associated with the effort to improve it.

Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media?

The trouble, in my opinion, with corporate America today, is that everything is thought of in quarters.

I felt devalued and disrespected. The energy behind it felt disingenuous and motivated by corporate profit.

America's corporate and political elites now form a regime of their own and they're privatizing democracy. All the benefits - the tax cuts, policies and rewards flow in one direction: up.

Any corporate policy and plan which is typical of the industry is doomed to mediocrity. Where this is not so, it should be possible to demonstrate that all other competitors are at a distinct disadvantage.

Whereas money is a means to an end for a filmmaker, to the corporate mind money is the end. Right now, I think independent film is very confused, because there's excess pressure in the marketplace for entertainment to pay off.

I don't understand why people whose entire lives or their corporate success depends on communication, and yet they are led on occasion by CEOs who cannot talk their way out of a paper bag and don't care to.