Grissom is a character who doesn't really want people poking around in his life. He likes to poke around in his work.

Grissom is pretty asexual. He's not that interested in anything other than work - except for Lady Heather. She's the closest to getting his heart of anyone.

The beard is here because I got tired of shaving and Grissom, subsequently, got tired of shaving. Grissom, like any other 50-year-old man, is going through a series of mid-life changes. Who knows, he may start drinking.

I had panic attacks during rehearsal. There were times when I really thought I wasn't going to be able to do it.

I think you can find yourself on one of these shows for a long period of time and think that all you'll ever be able to do is that character. Certainly people think of you that way.

I won't miss Grissom. It was a complete life for me that's reached its end, and it's reached it in the right way, I think. So I won't miss Grissom. And I hope that the audience won't miss him either.

I want to live and work in Chicago for the rest of my life. You know when you were growing up and you wanted to become president? What I want now is to be mayor of this damned town in ten years.

I've never been in this business for the recognition or the awards. I just want to do good work, grab a decent paycheck, and move onto the next job.

The show can go on without me, and probably will, but I want to come back to act in Chicago. My wife and I just bought a condo downtown, and I want to do theater.

I've been telling anybody who would listen that I wanted to do a series for the last 10 years. But I wouldn't do it if I was just another cop pushing bad guys up against the wall.

Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.

Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

Sure, I always chose rebels to identify with - I still do - but to me a rebel isn't so much someone who breaks the law as someone who goes against the odds.

I was horrible at science and math. I couldn't pass a test to save my life! I'm surprised that it didn't take me until I was 20 to graduate. That's why my role is so cool - Grissom is the complete opposite of me.

Grissom comes from a place where we know he had a deaf mother, he was raised in a silent household, on some level, had a father who potentially was not around and he learned what he knew by himself in the back yard, with bugs and animals. He's not comfortable being a supervisor and that's his problem.

Basically, we are a whole world of people desperately trying to figure out what is the dark side of our natures and how much can we explore without becoming something else.

If I stayed a football player, my career would have been over 20 years ago. As it is, my knees are shot. I found I got the same good feeling in acting that I had in sports, but I found I could have a more profound impact on people.

When we get involved in the ratings, then we're doing the network's job. We need to focus on our work.

Grissom is a character who doesn't really want people poking around in his life. He likes to poke around in his work.

If I could change on thing about myself, I would: Have better knees. Mine are shot because of injuries. You're only as good as your legs, whether you're an athlete or an actor.

Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.

We knew all along we were making a good show, so its success was not a surprise to me. What has surprised me is the magnitude of this show's success. More people see me now in one episode than saw me in 20 years of movies and theater!

One of the things I love about theater, one of the reasons I'll never give it up, is that it's fifty percent the audience's responsibility.

I didn't want to play a lawyer. I didn't want to play a doctor. I didn't want to play a single dad. I wanted to do something I felt I could learn from, something that would be a challenge and something that would not dry up.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.