Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

Grissom is pretty asexual. He's not that interested in anything other than work - except for Lady Heather. She's the closest to getting his heart of anyone.

The beard is here because I got tired of shaving and Grissom, subsequently, got tired of shaving. Grissom, like any other 50-year-old man, is going through a series of mid-life changes. Who knows, he may start drinking.

I had panic attacks during rehearsal. There were times when I really thought I wasn't going to be able to do it.

I think you can find yourself on one of these shows for a long period of time and think that all you'll ever be able to do is that character. Certainly people think of you that way.

I won't miss Grissom. It was a complete life for me that's reached its end, and it's reached it in the right way, I think. So I won't miss Grissom. And I hope that the audience won't miss him either.

I want to live and work in Chicago for the rest of my life. You know when you were growing up and you wanted to become president? What I want now is to be mayor of this damned town in ten years.

I've never been in this business for the recognition or the awards. I just want to do good work, grab a decent paycheck, and move onto the next job.

The show can go on without me, and probably will, but I want to come back to act in Chicago. My wife and I just bought a condo downtown, and I want to do theater.

I've been telling anybody who would listen that I wanted to do a series for the last 10 years. But I wouldn't do it if I was just another cop pushing bad guys up against the wall.

Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.

Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

Sure, I always chose rebels to identify with - I still do - but to me a rebel isn't so much someone who breaks the law as someone who goes against the odds.

I was horrible at science and math. I couldn't pass a test to save my life! I'm surprised that it didn't take me until I was 20 to graduate. That's why my role is so cool - Grissom is the complete opposite of me.

Grissom comes from a place where we know he had a deaf mother, he was raised in a silent household, on some level, had a father who potentially was not around and he learned what he knew by himself in the back yard, with bugs and animals. He's not comfortable being a supervisor and that's his problem.

Basically, we are a whole world of people desperately trying to figure out what is the dark side of our natures and how much can we explore without becoming something else.

If I stayed a football player, my career would have been over 20 years ago. As it is, my knees are shot. I found I got the same good feeling in acting that I had in sports, but I found I could have a more profound impact on people.

When we get involved in the ratings, then we're doing the network's job. We need to focus on our work.

Grissom is a character who doesn't really want people poking around in his life. He likes to poke around in his work.

If I could change on thing about myself, I would: Have better knees. Mine are shot because of injuries. You're only as good as your legs, whether you're an athlete or an actor.

Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.

We knew all along we were making a good show, so its success was not a surprise to me. What has surprised me is the magnitude of this show's success. More people see me now in one episode than saw me in 20 years of movies and theater!

One of the things I love about theater, one of the reasons I'll never give it up, is that it's fifty percent the audience's responsibility.

I didn't want to play a lawyer. I didn't want to play a doctor. I didn't want to play a single dad. I wanted to do something I felt I could learn from, something that would be a challenge and something that would not dry up.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.