So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers.

It was always acting, singing and dancing that I loved.

Talking about auditions, you never know what anyone else is thinking.

I'd forget the piece just before I went out to do the concerto, the panic was too great. This was not anything that gave me pleasure. This was fulfilling somebody else's dream.

The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself.

We do a lot of shows for young people who have probably never been to the theater before and they are learning about the Holocaust, which unhappily, many of them do not know about.

We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do.

Once you have the pattern of life of this person, the choreography, so to speak, you have the canvas that you present eight times a week, not without feeling underneath it, but it's not as churning as the discovery process was.

I didn't want to do anything my mother wanted me to do so surely I wasn't going to sing for her.

The story about me, apocryphal or not, is that I could sing before I spoke. My parents went into bedroom one day and there I was standing in the crib singing God Bless America.

My mother gave me singing lessons; that was totally painful, because I couldn't do what she wanted to hear. She used to say: there's more there, there's more voice but I just didn't want to give it to her.

Rose was sexy. It was my fantasy about her. She accomplished so much and came from so little in terms of a background that would have prepared her for the world, let alone the world of entertainment.

Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.

So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers.

I did radio back in the era when we did radio drama.

By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.

You have to go to the ultimate situation in drama.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

For me, football is just a game, not a drama.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

I'm doing music, and we both want to do some drama.

Culture clash is terrific drama.

I want to do drama, light comedy, the whole range.

We respond to a drama to that extent to which it corresponds to our dreamlife.

I always feel like an interloper when I do serious drama. It's my own paranoia.

Michigan is two radically different places - the North and the South which makes for good drama and contrast.

When the time came to make a decision about what do in life, I found myself thinking that acting was the thing I loved to do, so I applied to drama school. And then, I didn't get in - twice.

When I read great literature, great drama, speeches, or sermons, I feel that the human mind has not achieved anything greater than the ability to share feelings and thoughts through language.

I didn't get along with Lindsay Lohan on 'Confessions Of A Teenage Drama Queen', but you have to consider that we were 16-year-old girls. I haven't seen Lindsay since then, but I imagine she's grown and become a different person. I know I have.

A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.

The Russian drama began at the end of 1991, when the Soviet Union mercifully ended. Russia and 14 other new countries emerged from the ruins of the Soviet Union. Every one of those 15 new states faced a profound historical, economic, financial, social and political challenge.

A drama critic is a person who surprises the playwright by informing him what he meant.

When you're young you have no worries, no drama, only your imagination. It's the best!

France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.

Movies are immortal art - the first new art since Greek drama.

The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.

We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.

Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.

Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.

Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.

When the rose and the cross are united the alchemical marriage is complete and the drama ends. Then we wake from history and enter eternity.

I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.

But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure.

This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.