I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

I like songs that have lots of different parts in them, an intro, an outro and a bridge.

I spend my time trying to figure art out. I was brought up to believe that the way one processes information is by making it into art. That's how I live my life.

The most important thing in my father's life? World peace. Me and my brother. My mom.

For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.

My tendency is to be very experimental.

I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

I'm not trying to overcome my father or fill his shoes or reach any kind of level that he did. We're talking about a Mozart of rock music.

I'm trying to use the language of today to express a general existential crisis that I think the world and I are going through.

Being famous is having the power to really implement positive change in the world, and it gives you the power to do what you want. I'm really grateful for it because I can play music and people will listen.

Now, music almost feels naked in my mind.

Growing up, I fantasized about being a rock musician and that somehow it would be really easy. I didn't realize that it's so much work.

Making films is great. You've got 100 people around and you're all dressing up and making weird art-it's a fun group activity.

It's a bit embarrassing watching myself, but I couldn't get someone else to play me, that would've been stupid.

I like songs that go to different places and then come back.

I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever.

I like music because it's the only invisible art form.

Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist.

I like to have books around to give me ideas-to get the verbal part of my brain to start working.

There's no single movement out there. It's not like in the '60s, when Revolver came out and that's just it for the next year.

I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best.

I like songs and film because you can turn your life into a sort of myth or dream.

The work I've done, I'm really feeling the effects of it.

Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.

I'm lucky that a lot of my friends are in the entertainment industry.

There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.

I try not to do anything by formula.

We live in a pretty bleak time. I feel that in the air. Everything is uncertain. Everything feels like its on the precipice of some major transformation, whether we like it or not.

Im trying to use the language of today to express a general existential crisis that I think the world and I are going through.

I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.