I like songs and film because you can turn your life into a sort of myth or dream.

I like songs that have lots of different parts in them, an intro, an outro and a bridge.

I spend my time trying to figure art out. I was brought up to believe that the way one processes information is by making it into art. That's how I live my life.

The most important thing in my father's life? World peace. Me and my brother. My mom.

For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.

My tendency is to be very experimental.

I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

I'm not trying to overcome my father or fill his shoes or reach any kind of level that he did. We're talking about a Mozart of rock music.

I'm trying to use the language of today to express a general existential crisis that I think the world and I are going through.

Being famous is having the power to really implement positive change in the world, and it gives you the power to do what you want. I'm really grateful for it because I can play music and people will listen.

Now, music almost feels naked in my mind.

Growing up, I fantasized about being a rock musician and that somehow it would be really easy. I didn't realize that it's so much work.

Making films is great. You've got 100 people around and you're all dressing up and making weird art-it's a fun group activity.

It's a bit embarrassing watching myself, but I couldn't get someone else to play me, that would've been stupid.

I like songs that go to different places and then come back.

I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever.

I like music because it's the only invisible art form.

Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist.

I like to have books around to give me ideas-to get the verbal part of my brain to start working.

There's no single movement out there. It's not like in the '60s, when Revolver came out and that's just it for the next year.

I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best.

I like songs and film because you can turn your life into a sort of myth or dream.

The work I've done, I'm really feeling the effects of it.

Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.

I'm lucky that a lot of my friends are in the entertainment industry.

There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.

I try not to do anything by formula.

We live in a pretty bleak time. I feel that in the air. Everything is uncertain. Everything feels like its on the precipice of some major transformation, whether we like it or not.

Im trying to use the language of today to express a general existential crisis that I think the world and I are going through.

I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.

There are those, I know, who will reply that the liberation of humanity, the freedom of man and mind, is nothing but a dream. They are right. It is. It is the American Dream.

Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

I dream of the realization of the unity of Africa, whereby its leaders combine in their efforts to solve the problems of this continent. I dream of our vast deserts, of our forests, of all our great wildernesses.

It's not the size of the dreamer, it's the size of the dream.

Christianity is a battle not a dream.

Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

If you stop and think about our history, one of the reasons we had an American century and there is an American dream was because at key points in our history we made very bold decisions about making sure that there was very broad, universal access to quality education.

My secret dream is to write an epic poem. That's probably the most pretentious thing I've said.

I have played for 15 years and it has been a dream.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

It's been President Clinton's dream that we'll have finally a fully integrated Europe.

My dream is to save women from nature.

A man's moral conscience is the curse he had to accept from the gods in order to gain from them the right to dream.

For the next century, the Republicans have agreed that we will promote the dignity and future of every individual by building a free society under a limited, accountable government that protects liberty, security and prosperity for a brighter American dream.

A novel usually takes me two years. A year to research and plan and dream. Then a year to write.