I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever.

I like songs that have lots of different parts in them, an intro, an outro and a bridge.

I spend my time trying to figure art out. I was brought up to believe that the way one processes information is by making it into art. That's how I live my life.

The most important thing in my father's life? World peace. Me and my brother. My mom.

For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.

My tendency is to be very experimental.

I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

I'm not trying to overcome my father or fill his shoes or reach any kind of level that he did. We're talking about a Mozart of rock music.

I'm trying to use the language of today to express a general existential crisis that I think the world and I are going through.

Being famous is having the power to really implement positive change in the world, and it gives you the power to do what you want. I'm really grateful for it because I can play music and people will listen.

Now, music almost feels naked in my mind.

Growing up, I fantasized about being a rock musician and that somehow it would be really easy. I didn't realize that it's so much work.

Making films is great. You've got 100 people around and you're all dressing up and making weird art-it's a fun group activity.

It's a bit embarrassing watching myself, but I couldn't get someone else to play me, that would've been stupid.

I like songs that go to different places and then come back.

I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever.

I like music because it's the only invisible art form.

Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist.

I like to have books around to give me ideas-to get the verbal part of my brain to start working.

There's no single movement out there. It's not like in the '60s, when Revolver came out and that's just it for the next year.

I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best.

I like songs and film because you can turn your life into a sort of myth or dream.

The work I've done, I'm really feeling the effects of it.

Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.

I'm lucky that a lot of my friends are in the entertainment industry.

There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.

I try not to do anything by formula.

We live in a pretty bleak time. I feel that in the air. Everything is uncertain. Everything feels like its on the precipice of some major transformation, whether we like it or not.

Im trying to use the language of today to express a general existential crisis that I think the world and I are going through.

I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.