I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.

I like songs that have lots of different parts in them, an intro, an outro and a bridge.

I spend my time trying to figure art out. I was brought up to believe that the way one processes information is by making it into art. That's how I live my life.

The most important thing in my father's life? World peace. Me and my brother. My mom.

For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.

My tendency is to be very experimental.

I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

I'm not trying to overcome my father or fill his shoes or reach any kind of level that he did. We're talking about a Mozart of rock music.

I'm trying to use the language of today to express a general existential crisis that I think the world and I are going through.

Being famous is having the power to really implement positive change in the world, and it gives you the power to do what you want. I'm really grateful for it because I can play music and people will listen.

Now, music almost feels naked in my mind.

Growing up, I fantasized about being a rock musician and that somehow it would be really easy. I didn't realize that it's so much work.

Making films is great. You've got 100 people around and you're all dressing up and making weird art-it's a fun group activity.

It's a bit embarrassing watching myself, but I couldn't get someone else to play me, that would've been stupid.

I like songs that go to different places and then come back.

I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever.

I like music because it's the only invisible art form.

Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist.

I like to have books around to give me ideas-to get the verbal part of my brain to start working.

There's no single movement out there. It's not like in the '60s, when Revolver came out and that's just it for the next year.

I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best.

I like songs and film because you can turn your life into a sort of myth or dream.

The work I've done, I'm really feeling the effects of it.

Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.

I'm lucky that a lot of my friends are in the entertainment industry.

There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.

I try not to do anything by formula.

We live in a pretty bleak time. I feel that in the air. Everything is uncertain. Everything feels like its on the precipice of some major transformation, whether we like it or not.

Im trying to use the language of today to express a general existential crisis that I think the world and I are going through.

I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.