I like songs that have lots of different parts in them, an intro, an outro and a bridge.

I like songs that have lots of different parts in them, an intro, an outro and a bridge.

I spend my time trying to figure art out. I was brought up to believe that the way one processes information is by making it into art. That's how I live my life.

The most important thing in my father's life? World peace. Me and my brother. My mom.

For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.

My tendency is to be very experimental.

I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

I'm not trying to overcome my father or fill his shoes or reach any kind of level that he did. We're talking about a Mozart of rock music.

I'm trying to use the language of today to express a general existential crisis that I think the world and I are going through.

Being famous is having the power to really implement positive change in the world, and it gives you the power to do what you want. I'm really grateful for it because I can play music and people will listen.

Now, music almost feels naked in my mind.

Growing up, I fantasized about being a rock musician and that somehow it would be really easy. I didn't realize that it's so much work.

Making films is great. You've got 100 people around and you're all dressing up and making weird art-it's a fun group activity.

It's a bit embarrassing watching myself, but I couldn't get someone else to play me, that would've been stupid.

I like songs that go to different places and then come back.

I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever.

I like music because it's the only invisible art form.

Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist.

I like to have books around to give me ideas-to get the verbal part of my brain to start working.

There's no single movement out there. It's not like in the '60s, when Revolver came out and that's just it for the next year.

I have a piano and a guitar, and I tend to switch back and forth between those two instruments to help me get inspired.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best.

I like songs and film because you can turn your life into a sort of myth or dream.

The work I've done, I'm really feeling the effects of it.

Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.

I'm lucky that a lot of my friends are in the entertainment industry.

There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.

I try not to do anything by formula.

We live in a pretty bleak time. I feel that in the air. Everything is uncertain. Everything feels like its on the precipice of some major transformation, whether we like it or not.

Im trying to use the language of today to express a general existential crisis that I think the world and I are going through.

I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.