So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.

Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don't know, I've always been intrigued by those emotions.

And I think you understand a little bit more why she falls for him. In a way, watching the French do anything is a little more fun because their gestures are different. And in that way, they make everything interesting.

The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren't cliche.

If you are prepared to make a fool of yourself for them then you usually get that back. I think that there are points where you become so close to an actor, you know them so well, almost as well or better than their spouse. You have to know them, warts and all.

I was speaking to Ridley Scott the other day and he makes a film every 18 months. He's amazing really.

I don't know really. I've always been interested in the small picture instead of the big one, and I've always been interested in relationship pictures.

Their every instinct - and I have to say this is without exception - is to iron out the bumps, and It's always the bumps that are the most interesting stuff.

I wanted to make a movie about the arbitrary nature of love.

I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.

Foxes was a movie that didn't do a lot of business but it didn't do too badly critically and eventually they offered me other things. The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.

I've always been interested in films where you can identify with the actors. Where you can be in their shoes and therefore be more involved if they're people that you recognize.

I feel a little schizophrenic because my life is so totally different from here, obviously. And the French values are so different from American values.

Well, I think just the fact that you are making your first film is a huge step.

So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.

I think you get better at staring into space. Especially living in the South of France.

Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.

What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.

The danger is that if you have a bunch of ideas that you forget to use.

The multiplicity of ideas is what I'm interested in.

Ideas are easy. It's the execution of ideas that really separates the sheep from the goats.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

Many ideas grow better when transplanted into another mind than in the one where they sprung up.

Land began to be seen as something to be owned privately and exploited for private interests, and never was entirely reconciled with the old ideas that land should be utilized in common for the good of all.

Simple ideas lie within the reach only of complex minds.

While a lab Director can get done the things that he regards as important, he has the more important job of bringing out the best ideas of the broader scientific community.

I think a good MP is someone who cares for their community and becomes their champion, which is why I will make my home in any seat I am lucky enough to be selected for. Looks play no part in the equation, what matters is your ideas and connecting them to the electorate.

The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.

I do not 'get' ideas; ideas get me.

The new generation of Labour is different. Different attitudes, different ideas, different ways of doing politics.

Another principle is, the deepest affections of our hearts gather around some human form in which are incarnated the living thoughts and ideas of the passing age.

Facts, according to my ideas, are merely the elements of truths, and not the truths themselves; of all matters there are none so utterly useless by themselves as your mere matters of fact.

But in a broader sense, when I have more control, I want to expose people to new ideas.

We finally found out the technique of separating and getting information about where every train would be at any moment. Of course, I went over budget many times, because - as you go along - some things improved, and you get better ideas.

It is important to nurture any new ideas and initiatives which can make a difference for Africa.

Ideas pull the trigger, but instinct loads the gun.

I think I am too interested in my own ideas to copy anyone else's, but I find that other people's imagery, the flow of language in the outside world, games with words, and ideas about relationships are all most important to me.

I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge.

I address myself to the Communists, to those Communists who were prompted to join the Party by the progressive ideas of mankind and socialism, and not by selfish personal interests - let us represent our pure and just ideas by pure and just means.

Every composer knows the anguish and despair occasioned by forgetting ideas which one had no time to write down.

My objection to Liberalism is this that it is the introduction into the practical business of life of the highest kind namely, politics of philosophical ideas instead of political principles.

People find ideas a bore because they do not distinguish between live ones and stuffed ones on a shelf.

Adults are always asking kids what they want to be when they grow up because they are looking for ideas.

Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.

These are the sort of things that push you on in music - the curiosity, a passion for new ideas.

Poetry is ordinary language raised to the Nth power. Poetry is boned with ideas, nerved and blooded with emotions, all held together by the delicate, tough skin of words.

When I don't have any ideas, I pick up fabric and start working with it and something happens.

There are some who are scared by unity and by building a country on the basis of ideas.