When you win a race like this the feeling is very, very good.

A German team could be quite good. But maybe they are a little bit too convinced that they are the best.

I always work the same way, starting from the beginning of the weekend, so I know at the beginning of the race, from all that I have analysed during the practice, whether I will win the race or not.

In 1980 I finished three or four times in seventh place.

Some Italians are geniuses, but you have to find a balance.

I remember in the first part of the race I was sixth and I could have gone quicker, but I had to go slow. It was one of the most difficult things I have ever done.

That is an important part of my success. Another big part of my success is that I hated not to finish a race.

When I test I never go right to the limit. Only because when you are below the limit you can go at the same speed all day, and that's the only way you can be absolutely sure about what you are testing.

Without going to what I think is my limit. I always say that my ideal is to get pole with the minimum effort, and to win the race at the slowest speed possible.

I don't like to go over curbs, because I don't want to be hard on the car.

I was very interested in that. It is very important to have confidence as well as to build up experience.

It's like when people talk about driving F1 cars in the rain. I have absolutely no problem with it.

Maybe I am not French, maybe I am from nowhere.

It's not too good to have this attitude in F1. It could be a disadvantage.

The people who criticise you will not be the ones taking care of your legs when you are in your wheelchair. People who never drove a car in these conditions, they just don't know.

You were not in control You had no visibility: maybe there was a car in front of you, maybe not.

I like the mentality of the Americans. It's like when you talk about money.

People don't understand that it was maybe my biggest pleasure to drive an F1 car when it's wet.

You want to have fun but you also want to work well. Sometimes I was quite happy at Ferrari, because we would have fun, but then they could not stop having fun and go back to the real work.

Sometimes I think I could have got some better results if I had a different mentality; if I could have pushed hard and attacked. But then I would have had a good chance of making a mistake.

One of my biggest problems this season was with the clutch at the start of the race. I hate to risk the car.

You can't always have the best team. It's always a compromise.

I have always had this mentality because I hated to break anything on the car.

So in fact the only thing you can judge in this sport its the longterm. You can judge a career or a season, but not one race.

It's always better to speak the language of the team. Not only for the direct contact with everyone - sometimes it also helps you to understand the mentality of the people in the team a bit better.

When you win a race like this the feeling is very, very good.

I'm brave to say that I won't take this sort of risk.

I think maybe the English don't want to try something and look stupid, because they are a bit reserved.

I have no problem with the people who work hard to get success. But I think people are very jealous about success. I work very hard and they don't appreciate that.

I have had some problems because the French don't like people to have success, they don't like the number one.

You want to have fun but you also want to work well. Sometimes I was quite happy at Ferrari because we would have fun but then they could Anot stop having fun and go back to the real work.

Without feeling abashed by my ignorance, I confess that I am absolutely unable to say. In the absence of an appearance of learning, my answer has at least one merit, that of perfect sincerity.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

The best compliment to a child or a friend is the feeling you give him that he has been set free to make his own inquiries, to come to conclusions that are right for him, whether or not they coincide with your own.

The feeling remains that God is on the journey, too.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

The methods of peace propaganda which aim at establishing peace doctrine by argument and by creating a feeling favorable to peace in general seem to fall short of reaching the springs of human action and of dealing with the causes of the conduct which they seek to modify.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.

On that road of the informer, it is always night. I cannot ever inform against anyone without feeling something die within me. I inform without pleasure, because it is necessary.

I was as big as I have ever been. I had a personal trainer and was working out. I was feeling good. I was muscular. I had never weighed more than 155 pounds.

Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

Collectively, we must do more than simply watch, with resignation and a feeling of powerlessness, reports on the evening news about the latest terrorist atrocity.

But even if I'm left high and dry at the end of this wild journey, just taking it is a great feeling.

For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.

They must have a feeling of do or die. It is such an overcrowded profession.

You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going.

But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time.