The head writer loves that my character is a boor.

I remember interviewing someone I actually felt bad for, and therefore didn't want to take an ironic stance against him. It actually turned out to be a really funny piece.

I just want to do cool stuff.

Apparently it's cool to watch The Daily Show.

Once I found out how much an Off-Off-Broadway actor makes, I was whoring myself out the next day.

I learned more about elections on election night 2000 than I ever did during my 16 years of schooling.

People want other people to know that they share our sensibility even if they're not exactly sure what that sensibility is.

Why should I be feeling tension? It's The Daily Show.

I want to manufacture a feud.

I was going out for absolutely everything that was in Backstage.

I've got like a week and a half left, all bets are off.

Ethanol is, in its pure form, just as much of a sham as oil.

I didn't hang any pictures in my office for a year because I thought that I would be jinxing myself and have to take them down the next day.

I don't know how this company got the name National Shakespeare Company, because it was literally like retards employing retards.

If you have a secret, people will sit a little bit closer.

I touched an Oscar once. Friend of mine has one, for writing. As soon as I touched it, he said, Now you'll never win one.

I have to stay true to myself.

If people see me in some sort of niche, then that's fine. As long as it's not The Naked Guy, I don't care.

Sometimes we have to actually say, I think you're really funny, but none of your jokes are going to make it on the air. So just answer my questions. Seriously.

I get all of my comedy from CNN.

I actually got the part. And I thought, Well, I'll do it for a while. I'll just quit if it's stupid.

This limited theatrical release was a nice little bonus that I never expected.

The head writer loves that my character is a boor.

I didn't really feel 100 percent comfortable until we started working on the 2004 election.

Pat O'Brien knows nothing. He's on the Hell express.

It's like every day I'm born anew, without Jesus.

You're encouraged to pitch your own story. That way, you'll have more control over what you do.

The show is a satire, which gives us freedom to do anything we want. Satire is the magic word that wipes away any culpability. The media is jealous of this freedom.

Wow. I am really pretentious.

I remember saying in college that I would never do commercials.

The first year or so on The Daily Show is pretty intense in terms of travel. You're going to the worst places in the country, talking to the craziest people in the world.

I don't feel like I even need to contribute.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.