Migrant Mother, Dorothea Lange, 1935, Depression Era Art

London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Guernica, Pablo Picasso, 1937, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

A lot of relationships have ended for me in my 20s, because I knew that eventually those people would wanna settle down and have kids.

How much are we willing to lose from our already short lives by losing ourselves in our Blackberries, our iPhones, by not paying attention to the human being across from us who is talking with us, by being so lazy that we're not willing to process deeply?

That's why I made a comeback in 1988. I knew there were chances of not making it, but I didn't want to end up at sixty years old and say I should have tried when I was thirty-eight.

If you repeat a lie often enough people will believe it. It really is public brainwashing and misinformation.

One of the torturous things about my job is that, as time goes on, you get more and more clarity on all the things you've screwed up and all the mistakes you've made.

Literally, I don't have a television. So I don't really know what's happening pop-culturally. I read the 'New York Times.' And there's one worldwide cabin blog that I look at.

I have what we call a 'symphony act.' I'm the only comedian, I think, in the country that does it.

I like to see the difference between good and evil as kind of like the foul line at a baseball game. Its very thin its made of something very flimsy like lime and if you cross it it really starts to blur where fair becomes foul and foul becomes fair.

I still get so much fan mail addressed to Carol Brady, and I think a lot of it's through the Net. And I always answer it, if it's legible.

In this 21st century world, some of our country's most significant exports and imports extend beyond goods and services: They also include innovation, knowledge, discovery, and healing.

When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening with just me, the wind, and the moon. Your skin crawls up an octave. This is what I tap into when I'm working on horror films. I'm just afraid a time will come when I lose touch with that part of myself.

I didn't want to be written about as a human-interest story. I didn't want to be a passing thing. You know, now we move on to the fat girl who had her stomach stapled. I didn't want to become a gimmick: the disabled model.

So I had the opportunity to do what the kids in the Hershey program do, except that the Hershey program lets them do it on such a larger scale, with the regional and national competitions.

The NSA has built an infrastructure that allows it to intercept almost everything. With this capability, the vast majority of human communications are automatically ingested without targeting. If I wanted to see your emails or your wife's phone, all I have to do is use intercepts. I can get your emails, passwords, phone records, credit cards.

Your credit score takes into account years of information in most cases. It's not going to improve in a day. But it may improve more quickly than you think. Generally, the last 24 months carry the most weight, so if you can keep clean for that long, you'll see a boost.

If you can force your heart and nerve and sinew to serve your turn long after they are gone, and so hold on when there is nothing in you except the will which says to them: 'Hold on!'