Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Guernica, Pablo Picasso, 1937, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Migrant Mother, Dorothea Lange, 1935, Depression Era Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

I went through two pretty dark years being fed up with the system and frustrated with my own party after two disastrous elections in 2006 and 2008.

I think at that time I obviously wasn't aware of what I really needed. But conversely, my wanting to prove something to everyone was beneficial 'cause if I hadn't done it then, maybe I'd never have done it.

Take, if you must, this little bag of dreams, Unloose the cord, and they will wrap you round.

Coffee first. Schemes later.

If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.

You have to pretend to be cool, which I never am.

A free society cherishes nonconformity. It knows from the non-conformist, from the eccentric, have come many of the great ideas.

Yet in order to make sure the European social model keeps up with the pace of economic change that is now necessary, the EU must embrace a new approach to lawmaking.

In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look at specific things. An IMAX shot, on the other hand, can be twenty or thirty seconds long.

Empowering women isnt for women but for the world.

I have spoken about inflation, unemployment, farmers' problems, security, etc. I keep talking about these issues. I seek answers from the Indian government.

I didn't want to make a man the No. 1 quest in my life.

The majority in this country have not seen anything wrong with Zuma. I go with the overwhelming feeling of this country. If the majority say, 'Zuma, do this,' I will do it.

To me, America is just another market.

I always liked to write and had fun writing, but I didn't have any pretensions about being a writer. I liked to read and liked to putz around and write little stories or poems, but my thing was sports.

I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.